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Cripes, that was impressive.

It was pretty good, film wise I think the first few accelerations were too early on or too brief. They were really effective once you were set in a pattern to accentuate how long it took you to get over the chilli to the point where you could see through the tears of pain, and again to avoid the 'watching paint dry' feeling that slipped in a little there.

If you can get a few closups of brush strokes it would be sweet, maybe borrow a gopro and strap it to your desk or whatever surface you paint on. This will give a clear picture of how you are going and also break up the one shot used this first time, which can get a little boring for the eyes even if you are doing something engaging!

I'm keen to see the edition where you paint an Empire Great Sword leaning out of a high window of Praha Castle!
 
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